Phoenix Chorale is honored to be featured in this year’s LIVE From London lineup. The Chorale’s 2023 multi-sensory presentation of Mass for the Endangered by Sarah Kirkland Snider, featuring artwork by Deborah Johnson at the Phoenix Art Museum will stream alongside a wide range of compelling performances from the Voces8 stable.
Having previously participated in the festival with Unclouded Day, the Chorale is honored to return to this international stage.
LIVE From London Easter Online Festival
23 March – 26 April 2026
Season Tickets and Concert Passes available via livefromlondon.org
‘Not from the past you’ll come, but from that deep
Where beauty murmurs to the soul asleep:’ (Idyll – Siegfried Sassoon)
This Easter, LIVE From London returns with a festival celebrating life, love and renewal. Pairing old favourites with new premieres and matching new poetry within traditional text settings, the festival seeks to refresh our wintered spirits.
The VOCES8 Foundation Choir & Orchestra present the online premiere of Composer-in-Residence, Taylor Scott Davis’ new Requiem, as Decca Classics simultaneously releases the work on new album, i carry your heart. Featuring poetry by Siegfried Sassoon (Idyll) within the traditional mass setting, the Requiem offers a strong hand of hope within its luminous music – messaging for our time.
Including texts by Nathaniel Bellows, Sarah Kirkland Snider’s Mass for the Endangered is a hymn for the voiceless and the discounted – LIVE From London is thrilled to present Phoenix Chorale’s setting of the work.
Barnaby Smith and the Illyria Consort gift an intimate programme of Bach Cantatas tracing the full architecture of human emotion, whilst APOLLO5 returns with The Evening Primrose, showcasing its new line-up of singers and marking the start of an exciting new chapter for the group.
Completing the festival is Bach’s iconic Mass in B minor returning by popular demand. Conductor Barnaby Smith, soloists Carolyn Sampson, Iestyn Davies, Jeremy Budd and Matthew Brook are joined by VOCES8 and the Academy of Ancient Music (guest led by Rachel Podger) for a performance which was hailed as “sublime” and “Bach in all his glory”.